Came across this animation on vimeo where I usually search. Very inspiring design.
Blurb from Artist
Want to know more about the production process? Check it:
An ongoing series of philosophical pills for the suffering souls of the hypermodern era.
Cápsulas filosóficas para las almas enfermas de la era hipermoderna. Aprieta el botón “CC” para activar los subtítulos en español.
Excerpt from Ned Breslin interview with Rodney Mullen, 15th April 2014.
Extracto de una entrevista a Rodney Mullen realizada por Ned Breslin el 15 de Abril de 2014.
DIRECTION/ANIMATION: Antoni Sendra
SKATER: Ivan Fdez de Córdoba
DOP: Carlos Aparicio
SOUND: Pasqual Rodrigo, Noizes
ADDITIONAL ANIMATICS: Marc Guardiola, Héctor Comino
One of my top artist to watch “RuffMercy” . His work is eclectic.
Blurb about the video from the Artist
Apparently this was meant to be on EARL’S ‘I DONT LIKE SHIT…’ album but didnt make it at the time due to sample clearance issues. It was meant to come after the track ‘FAUCET’ my favourite from the project. Last year i started drawing up ideas in a sketchbook what a video for that might look like but as was a self initiated project i shelved it to pay the rent. When the chance came along to make a video for this track i jumped at the chance. The idea here isn’t the same as the one i have worked out for FAUCET… hopefully i’ll get around to making that too.
This is one of new favorites of this year. The visual tone reminds me of some old Hitchcock films. Great staging.
“A trip through an electric desert, Dry Lights unfolds in an imagined environment of cacti and canyons, moving from hidden caves to lonely cliffs along pulsating rivers of light.
This experimental film lies somewhere between a site-specific installation and a performance, where choreographed lights meet organic landscapes. Like an imaginary city flickering in the dark, the lights beacon fragments of vague memories – faded moments, experiences, and topographies. A world in an erratic state of flux that seems to evade any grasp of clear control plays host to constantly alternating physical and mental landscapes. Moving without a destination in the dead hours of night, mesmerising, intermittent apparitions illuminate their surroundings, allowing personal narratives to breed.
Rising to the technical challenge of creating the foundation for this full 3D film almost entirely on my own, I partnered with composer Thomas Vaquié to set the stage for a singular universe to emerge.”
one of my favorite childhood movie. nice to see a little design added to the popular catch phrase.
not a Coldplay fan, but this music is pretty cool. Nice VFX comps.
For this year’s ADCN Awards Ceremony – the association for creativity in advertising and design in The Netherlands – we teamed up with Ambassadors and Woodwork to produce the visuals for the evening held in Paradiso Amsterdam.